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引用來源:http://www.imdb.com/title/tt1375666/faq#.2.1.8

The original plan is to have the floor of the hotel room drop out from underneath the dreamers and thus provide the 'kick' that wakes them up - specifically Eames who is 'hosting' the dream in the snowy mountains. This is supposed to happen before the van plows through the barrier and off the bridge. However, the timing is thrown off and now that Arthur's body is in free-fall in the van, it translates into his dream of the hotel - thus preventing the floor from dropping once the explosives discharge. He improvises a kick by moving everyone into the lift and then setting off an explosive to cause the lift to start moving up the shaft (this works much like a rocket on a space craft). To those in the lift, the force of the lift pushing them is equivalent to gravity. Gravity alone is not enough to awaken the dreamers, but when the lift hits the roof at the top of the shaft, the sudden stopping or slowing-down causes the dreamers to first be propelled upwards, and then fall back to the floor. The result is the same as the inner ear only detects the acceleration due to a force acting on the body, much like Eames' demonstration of tipping Arthur's chair over to wake him up.


Chronologically, Saito entered limbo before Cobb did. So it makes sense that Saito should have aged more than Cobb.. another theory is that Cobb entered limbo twice. The first time was with Ariadne. They found Fischer and kicked him back to Eames' dream. Meanwhile Saito dies and goes to limbo. Cobb provokes Mal into attacking him. (NOTE - he provoked her very methodically. This was a conscious choice he made for some reason and this theory is one explanation for it.) Mal dies from Ariadne's gunshot wound and Cobb dies from Mal's knife wound. At this point, Cobb is currently being dying in all 3 levels (in 3: crushed by the exploding snow fortress, in 2: in the crashing elevator, in 1: left to drown in the van.) When he dies in limbo, he wakes up in one of (all of?) these levels and dies again, sending him to limbo and washing up on the shore near Saito's palace. Saito, having been in limbo this whole time, has aged decades while Cobb is just arriving to limbo for the 2nd time. A second perspective as to why Saito is older, is that limbo is formed around the "raw subconscious." During the helicopter scene, Saito relates to Cobb his personal fear of becoming an old man filled with regret. And this is the form that Saito takes in his limbo. His age does not reflect the time in the various levels of dreams. With this in mind, the flashbacks of Cobb and Mal in their old age perhaps did not reflect them becoming old in limbo, rather it was real memories of themselves.


What is the significance of the name "Ariadne"?

  In Greek Mythology she was considered the "Mistress of the Labyrinth." In the legend of Theseus and the Minotaur, Ariadne () was a princess of Crete and her father (the king) created a labyrinth with a minotaur inside it. Every year seven men and seven women would have to be sacrificed to it. One year a hero named Theseus offered to kill the minotaur and Ariadne fell in love with him so she gave him a ball of string before he entered the labyrinth as well as directions. Theseus was able to kill the minotaur and took Ariadne for his bride. In some accounts of the myth, Theseus later abandoned Ariadne on the island of Naxos, where she was discovered and rescued by the god Dionysus. Ariadne eventually became the wife of Dionysus and joined the pantheon of gods on Mount Olympus. This song can also be read as backing the theory that 'Inception' follows the metaphysics of A Course in Miracles, a spiritual text which describes humanity as dreaming. The dream is described in the Course as having a flavour or underlying, all-pervasive guilt - just as Cobb tells Adriadne he experiences. Truth, says ACIM, is buried deep in the dreamer's unconscious mind (cf Mal's safe), and Spirit tries to wake us up to our innocence through what is metaphorically described as 'an ancient melody' that speaks of our innocence - (cf 'Je ne regrette rien' as the call to wake up throughout the movie). Cobb is told by Ariadne that the key to him undoing the nightmarish situation in which he is entrapped with Mal is forgiveness. And so 'Mal' ('bad / evil' in French and Spanish) is undone by Forgiveness. Cobb forgives both Mal and himself, releases his regrets, and so heals his past (another key theme of ACIM). Thus in the movie, Ariadne serves as the 'mistress of the labyrinth' both in the obvious sense of devising dream labyrinthine architecture, and in the more subtle sense of leading Cobb out of his mental imprisonment.
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